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<article article-type="research-article" dtd-version="1.2" xml:lang="en" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id journal-id-type="issn">3029-0279</journal-id>
<journal-title-group>
<journal-title>Regeneration: Environment, Art, Culture</journal-title>
</journal-title-group>
<issn pub-type="epub">3029-0279</issn>
<publisher>
<publisher-name>Open Library of Humanities</publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id pub-id-type="doi">10.16995/regeneration.20227</article-id>
<article-categories>
<subj-group>
<subject>Article</subject>
</subj-group>
</article-categories>
<title-group>
<article-title>Heroism</article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author" corresp="yes">
<name>
<surname>Legge</surname>
<given-names>Andrea</given-names>
</name>
<email>andreadlegge@gmail.com</email>
<xref ref-type="aff" rid="aff-1">1</xref>
</contrib>
<contrib contrib-type="author">
<name>
<surname>Cowan</surname>
<given-names>Harley</given-names>
</name>
<email>hello@harleycowan.com</email>
<xref ref-type="aff" rid="aff-2">2</xref>
</contrib>
<contrib contrib-type="author">
<name>
<surname>Larrabee</surname>
<given-names>Hannah</given-names>
</name>
<email>hrlarrabee@gmail.com</email>
<xref ref-type="aff" rid="aff-3">3</xref>
</contrib>
<contrib contrib-type="author">
<name>
<surname>Creane</surname>
<given-names>Jessica</given-names>
</name>
<email>jessica@ikantkoan.com</email>
<xref ref-type="aff" rid="aff-4">4</xref>
</contrib>
</contrib-group>
<aff id="aff-1"><label>1</label>Artist</aff>
<aff id="aff-2"><label>2</label>Artist, Polar Photographers Collective, Atomic Photographers Guild</aff>
<aff id="aff-3"><label>3</label>Poet &#8211; University of New Hampshire, MFA</aff>
<aff id="aff-4"><label>4</label>Founder and Creative Director of IKantKoan Play/s</aff>
<pub-date publication-format="electronic" date-type="pub" iso-8601-date="2026-02-17">
<day>17</day>
<month>02</month>
<year>2026</year>
</pub-date>
<pub-date pub-type="collection">
<year>2026</year>
</pub-date>
<volume>2</volume>
<issue>1-2</issue>
<fpage>1</fpage>
<lpage>24</lpage>
<permissions>
<copyright-statement>Copyright: &#x00A9; 2026 The Author(s)</copyright-statement>
<copyright-year>2026</copyright-year>
<license license-type="open-access" xlink:href="http://creativecommons.org/licenses/by/4.0/">
<license-p>This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. See <uri xlink:href="http://creativecommons.org/licenses/by/4.0/">http://creativecommons.org/licenses/by/4.0/</uri>.</license-p>
</license>
</permissions>
<self-uri xlink:href="https://www.regeneration-journal.org/articles/10.16995/regeneration.20227/"/>
<abstract>
<p>A multimodal collaboration between artists, writers, and scholars. This piece emerged from an expedition to the Arctic archipelago as part of the Arctic Circle Residency in Autumn 2022.</p>
</abstract>
</article-meta>
</front>
<body>
<sec>
<title>Subjective Heroism 01, 02, 03</title>
<p><bold>Andrea Legge</bold></p>
<fig>
<graphic xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="regeneration-20227_legge-g1.jpg"/>
</fig>
<p>Subjective Heroism 01. Andrea Legge 2023</p>
<p>Photogrammetric 3D model still of SV Antigua and environment including camera POV data interpreted by handheld iPhone and Agisoft Metashape. Created October 10, 2022, at Liefdefjorden, Hornbaekpollen, Svalbard. Special thanks to The Arctic Circle Residency Program and The Canada Council for the Arts.</p>
<fig>
<graphic xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="regeneration-20227_legge-g2.jpg"/>
</fig>
<p>Subjective Heroism 02. Andrea Legge 2023</p>
<p>Photogrammetric 3D model still of SV Antigua under sail and environment including camera POV data interpreted by handheld iPhone and Agisoft Metashape. Created October 15, 2022, at Isafjorden, Templefjorden, Svalbard. Special thanks to The Arctic Circle Residency Program and The Canada Council for the Arts.</p>
<fig>
<graphic xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="regeneration-20227_legge-g3.jpg"/>
</fig>
<p>Subjective Heroism 03. Andrea Legge 2023</p>
<p>Photogrammetric 3D model (point cloud) still of SV Antigua under sail including camera POV data interpreted by handheld iPhone and Agisoft Metashape. Created October 15, 2022, at Isafjorden, Templefjorden, Svalbard. Special thanks to The Arctic Circle Residency Program and The Canada Council for the Arts.</p>
<p>The author declares they have no competing interests.</p>
</sec>
<sec>
<title>Anchorage at Virgohamna</title>
<p><bold>Harley Cowan</bold></p>
<fig>
<graphic xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="regeneration-20227_legge-g4.jpg"/>
</fig>
<p><italic>Anchorage at Virgohamna</italic>, Silver gelatin print, 2022.</p>
<p>&#169;2022, Harley Cowan. All Rights Reserved.</p>
<p>The author declares they have no competing interests.</p>
</sec>
<sec>
<title>Arctic: Crevasse</title>
<p><bold>Hannah Larrabee</bold></p>
<p></p>
<p>I didn&#8217;t think</p>
<p>Svalbard was a world</p>
<p>of moss and lichen,</p>
<p>especially in October,</p>
<p>though certain places</p>
<p>held a glaze of ice</p>
<p>on each granite erratic,</p>
<p>but then I didn&#8217;t think</p>
<p>I knew the Arctic</p>
<p>before arriving;</p>
<p>I was relieved</p>
<p>by how little it</p>
<p>cared for us</p>
<p>my poems</p>
<p>are an exercise</p>
<p>in living in ways</p>
<p>I cannot, though</p>
<p>I studied, closely,</p>
<p>the sharp peaks</p>
<p>of the mountains,</p>
<p>the moss-covered antlers,</p>
<p>each glacier just out</p>
<p>of reach, even the one</p>
<p>I touched</p>
<p>was running water</p>
<p>underneath,</p>
<p>it had no voice,</p>
<p>if it had a voice</p>
<p>the sound would break us</p>
<p>into deep vermillion,</p>
<p>thank God</p>
<p>there are still places</p>
<p>not subject to our pleasure,</p>
<p>and the last morning</p>
<p>I took a Polaroid</p>
<p>of the low Arctic sun</p>
<p>and it burned a hole</p>
<p>in my film, it said</p>
<p><italic>in this blink of time</italic></p>
<p><italic>you are alive</italic></p>
<p><italic>look at all that you took with you</italic>&#8212;</p>
<p><italic>November 15, 2023</italic></p>
</sec>
<sec>
<title>Final Day @ Gipsvika</title>
<p><bold>Hannah Larrabee</bold></p>
<fig>
<graphic xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="regeneration-20227_legge-g5.jpg"/>
</fig>
<p><italic>Final Day @ Gipsvika</italic>, Polaroid, 3&#8221; x 4&#8221;, 2022.</p>
<p>&#169;2022, Hannah Larrabee. All Rights Reserved.</p>
<p>The author declares they have no competing interests.</p>
</sec>
<sec>
<title>Jessica Creane</title>
<p><bold>Harley Cowan</bold></p>
<fig>
<graphic xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="regeneration-20227_legge-g6.jpg"/>
</fig>
<p><italic>Jessica Creane</italic>, Silver gelatin print, 2022.</p>
<p>&#169;2022, Harley Cowan. All Rights Reserved.</p>
<p>I collaborated with Jessica Creane, a likely relative of Tom Crean (the family spelling changed over the years), to make her portrait in the style of Frank Hurley&#8217;s famous portrait of Crean with puppies. After all, I had my large format camera, black and white film, and a darkroom. Jessica, a writer, chose to hold a pen in her teeth in place of a pipe. Our tall ship had a dark, wooden door but, unlike Crean and his plethora of puppies, we had but one fully-grown dog onboard. He was named Hildago (not Hidalgo) and was brought along by our guide Piotr Kupiszewski. Hildago patiently sat for our one-second exposure, at least for the second attempt. The first time, he slowly slipped back to the floor the instant I had clicked the shutter.</p>
<p>This film, like Hurley&#8217;s a century earlier, was hand-developed onboard our tall ship in a makeshift darkroom.</p>
<fig>
<graphic xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="regeneration-20227_legge-g7.jpg"/>
</fig>
<p>Frank Hurley (1885&#8211;1962) &#8211; National Library of Australia &#8211; <italic>Tom Crean rears an Antarctic family</italic>, Public Domain.</p>
<p>The author declares they have no competing interests.</p>
</sec>
<sec>
<title>Blah Arctic</title>
<p><bold>Jessica Creane</bold></p>
<fig>
<graphic xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="regeneration-20227_legge-g8.jpg"/>
</fig>
<p></p>
<fig>
<graphic xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="regeneration-20227_legge-g9.jpg"/>
</fig>
<p></p>
<fig>
<graphic xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="regeneration-20227_legge-g10.jpg"/>
</fig>
<p></p>
<fig>
<graphic xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="regeneration-20227_legge-g11.jpg"/>
</fig>
<p></p>
<fig>
<graphic xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="regeneration-20227_legge-g12.jpg"/>
</fig>
<p></p>
<fig>
<graphic xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="regeneration-20227_legge-g13.jpg"/>
</fig>
<p></p>
<fig>
<graphic xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="regeneration-20227_legge-g14.jpg"/>
</fig>
<p></p>
<fig>
<graphic xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="regeneration-20227_legge-g15.jpg"/>
</fig>
<p></p>
<fig>
<graphic xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="regeneration-20227_legge-g16.jpg"/>
</fig>
<p></p>
<fig>
<graphic xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="regeneration-20227_legge-g17.jpg"/>
</fig>
<p><italic>Blah Arctic</italic>, Slide presentation originally shown onboard <italic>Antigua</italic> October, 2022.</p>
<p>&#169;2022, Jessica Creane. All Rights Reserved.</p>
<p>The author declares they have no competing interests.</p>
</sec>
<sec>
<title>Captain Jonathan de Rooij</title>
<p><bold>Harley Cowan</bold></p>
<fig>
<graphic xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="regeneration-20227_legge-g18.jpg"/>
</fig>
<p><italic>Captain Jonathan de Rooij</italic>, Silver gelatin print, 2022.</p>
<p>&#169;2022, Harley Cowan. All Rights Reserved.</p>
</sec>
<sec>
<title>Est&#233;e Turk, Sailor</title>
<p><bold>Harley Cowan</bold></p>
<fig>
<graphic xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="regeneration-20227_legge-g19.jpg"/>
</fig>
<p><italic>Est&#233;e Turk, Sailor</italic>, Silver gelatin print, 2022.</p>
<p>&#169;2022, Harley Cowan. All Rights Reserved.</p>
</sec>
<sec>
<title>Matu O&#8217;Flaherty, First Mate</title>
<p><bold>Harley Cowan</bold></p>
<fig>
<graphic xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="regeneration-20227_legge-g20.jpg"/>
</fig>
<p><italic>Matu O&#8217;Flaherty, First Mate</italic>, Silver gelatin print, 2022.</p>
<p>&#169;2022, Harley Cowan. All Rights Reserved.</p>
</sec>
<sec>
<title>Sarah Gerats, Expedition Leader</title>
<p><bold>Harley Cowan</bold></p>
<fig>
<graphic xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="regeneration-20227_legge-g21.jpg"/>
</fig>
<p><italic>Sarah Gerats, Expedition Leader</italic>, Silver gelatin print, 2022.</p>
<p>&#169;2022, Harley Cowan. All Rights Reserved.</p>
<p>The author declares they have no competing interests.</p>
</sec>
</body>
</article>