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<article article-type="research-article" dtd-version="1.2" xml:lang="en" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id journal-id-type="issn">3029-0279</journal-id>
<journal-title-group>
<journal-title>Regeneration: Environment, Art, Culture</journal-title>
</journal-title-group>
<issn pub-type="epub">3029-0279</issn>
<publisher>
<publisher-name>Open Library of Humanities</publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id pub-id-type="doi">10.16995/regeneration.20310</article-id>
<article-categories>
<subj-group>
<subject>Article</subject>
</subj-group>
</article-categories>
<title-group>
<article-title>Objectice</article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author" corresp="yes">
<name>
<surname>LeRoy</surname>
<given-names>Felicia</given-names>
</name>
<email>felicia.r.leroy@gmail.com</email>
<xref ref-type="aff" rid="aff-1">1</xref>
</contrib>
<contrib contrib-type="author">
<name>
<surname>S&#263;iuk</surname>
<given-names>Paula</given-names>
</name>
<email>paulasciuk@gmail.com</email>
<xref ref-type="aff" rid="aff-2">2</xref>
</contrib>
<contrib contrib-type="author">
<name>
<surname>Refetoff</surname>
<given-names>Osceola</given-names>
</name>
<email>rx89@mac.com</email>
<xref ref-type="aff" rid="aff-3">3</xref>
</contrib>
<contrib contrib-type="author">
<name>
<surname>Chisholm</surname>
<given-names>Dianne</given-names>
</name>
<email>chisholm@ualberta.ca</email>
<xref ref-type="aff" rid="aff-4">4</xref>
</contrib>
<contrib contrib-type="author">
<name>
<surname>Cowan</surname>
<given-names>Harley</given-names>
</name>
<email>hello@harleycowan.com</email>
<xref ref-type="aff" rid="aff-5">5</xref>
</contrib>
</contrib-group>
<aff id="aff-1"><label>1</label>Independent Artist; Pratt Fine Arts Center, Instructor; Rhode Island School of Design, Alumna; University of Wisconsin &#8211; Madison, Alumna</aff>
<aff id="aff-2"><label>2</label>Multidisciplinary Artist</aff>
<aff id="aff-3"><label>3</label>Artist, Courtesy of Von Lintel Gallery</aff>
<aff id="aff-4"><label>4</label>Writer, Professor Emeritus of English at the University of Alberta</aff>
<aff id="aff-5"><label>5</label>Artist, Polar Photographers Collective, Atomic Photographers Guild</aff>
<pub-date publication-format="electronic" date-type="pub" iso-8601-date="2026-02-17">
<day>17</day>
<month>02</month>
<year>2026</year>
</pub-date>
<pub-date pub-type="collection">
<year>2026</year>
</pub-date>
<volume>2</volume>
<issue>1-2</issue>
<fpage>1</fpage>
<lpage>14</lpage>
<permissions>
<copyright-statement>Copyright: &#x00A9; 2026 The Author(s)</copyright-statement>
<copyright-year>2025</copyright-year>
<license license-type="open-access" xlink:href="http://creativecommons.org/licenses/by/4.0/">
<license-p>This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. See <uri xlink:href="http://creativecommons.org/licenses/by/4.0/">http://creativecommons.org/licenses/by/4.0/</uri>.</license-p>
</license>
</permissions>
<self-uri xlink:href="https://www.regeneration-journal.org/articles/10.16995/regeneration.20310/"/>
<abstract>
<p>A multimodal collaboration between artists, writers, and scholars. This piece emerged from an expedition to the Arctic archipelago as part of the Arctic Circle Residency in Autumn 2022.</p>
</abstract>
</article-meta>
</front>
<body>
<sec>
<title>Brash Ice, Spitsbergen (I &amp; II)</title>
<p><bold>Felicia LeRoy</bold></p>
<fig>
<graphic xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="regeneration-20310_leroy-g1.jpg"/>
</fig>
<p>Cameo engravings from photographs of brash ice, an accumulation of floating ice made up of fragments not more than 2 m across, taken from aboard S/V Antigua in Spitsbergen, Oct 2022.</p>
<p><italic>Brash Ice, Spitsbergen (I &amp; II)</italic>, Glass Cameo Engraving, 9&#8221; &#215; 7.5&#8221;, 2023</p>
</sec>
<sec>
<title>Ablation</title>
<p><bold>Felicia LeRoy</bold></p>
<fig>
<graphic xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="regeneration-20310_leroy-g2.jpg"/>
</fig>
<p>The loss of ice and snow from a glacier system as seen from 2022 Landsat data.</p>
<p><italic>Ablation</italic>, Glass Cameo Engraving, 5.5&#8221; &#215; 7&#8221;, 2023.</p>
<p>The author declares they have no competing interests.</p>
</sec>
<sec>
<title>Aglarond, Esmarkbreen 78&#176; 17.9&#8217; N 013&#176; 56.1&#8217; E</title>
<p><bold>Paula S&#263;iuk</bold></p>
<fig>
<graphic xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="regeneration-20310_leroy-g3.jpg"/>
</fig>
<p>October 14, 2022, 4:15pm, &#8211;5&#176; C, clear, calm, cold, day length: 6:52:51</p>
<p>Afternoon landing, shallow bay, low tide, ice cave back lit at terminus</p>
<p>Observed locks of reindeer fur, feathers, whale jawbone, sand tornados.</p>
<p><italic>Aglarond, Esmarkbreen 78&#176; 17.9&#8217; N 013&#176; 56.1&#8217; E</italic>, Ultrachrome ink on polycarbonate, 2022.</p>
</sec>
<sec>
<title>Etele, Forelandsundet 78&#176; 33.1&#8217; N 011&#176; 16.7&#8217; E</title>
<p><bold>Paula S&#263;iuk</bold></p>
<fig>
<graphic xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="regeneration-20310_leroy-g4.jpg"/>
</fig>
<p>October 13, 2022, 8:52am, &#8211;2&#176; C, some snow, partly cloudy, day length: 7:11:06</p>
<p>Antigua enveloped by mountains bathed in late afternoon luminous glow</p>
<p>Wake of snow skipping across water surface, carried by brisk wind current.</p>
<p><italic>Etele, Forelandsundet 78&#176; 33.1&#8217; N 011&#176; 16.7&#8217; E</italic>, Ultrachrome ink on polycarbonate, 2022.</p>
</sec>
<sec>
<title>Ichorous, S&#243;re Castr&#233;noya 80&#176; 32.7&#8217; N 019&#176; 59.4&#8217; E</title>
<p><bold>Paula S&#263;iuk</bold></p>
<fig>
<graphic xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="regeneration-20310_leroy-g5.jpg"/>
</fig>
<p>October 5, 2022, 6:36pm, 4&#176; C, sunny, clear, day length: 9:24:27</p>
<p>Anchor up, Northernmost point of voyage sailing toward southern tip</p>
<p>Dark waters conceal softball size, lions mane jellyfish, whale sighting.</p>
<p><italic>Ichorous, S&#243;re Castr&#233;noya 80&#176; 32.7&#8217; N 019&#176; 59.4&#8217; E</italic>, Ultrachrome ink on polycarbonate, 2022.</p>
</sec>
<sec>
<title>L&#250;n, Monacobreen 79&#176; 30.0&#8217; N 012&#176; 33.0&#8217; E</title>
<p><bold>Paula S&#263;iuk</bold></p>
<fig>
<graphic xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="regeneration-20310_leroy-g6.jpg"/>
</fig>
<p>October 10, 2022, 3:16pm, 0&#176; C, windy, overcast, day length: 8:03:18</p>
<p>Tidewater, surge type glacier, rapid retreat, over 2 miles within the past 50 years</p>
<p>Curious kittiwakes circling overhead, bearded seal sighted, Nansen&#8217;s birthday.</p>
<p><italic>L&#250;n, Monacobreen 79&#176; 30.0&#8217; N 012&#176; 33.0&#8217; E</italic>, Ultrachrome ink on polycarbonate, 2022.</p>
</sec>
<sec>
<title>S&#233;rac, Selv&#229;gen 78&#176; 33.1&#8217; N 011&#176; 16.7&#8217; E</title>
<p><bold>Paula S&#263;iuk</bold></p>
<fig>
<graphic xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="regeneration-20310_leroy-g7.jpg"/>
</fig>
<p>October 13, 2022, 4:02pm, &#8211;2&#176; C, sunny, steady wind, day length: 7:11:06</p>
<p>Beach landing, ringed with colorful seaweed, kelp, algae, short walk over hillocks</p>
<p>Unique ice structures, resounding glass shattering when broken, moon visible</p>
<p><italic>S&#233;rac, Selv&#229;gen 78&#176; 33.1&#8217; N 011&#176; 16.7&#8217; E</italic>, Ultrachrome ink on polycarbonate, 2022.</p>
</sec>
<sec>
<title>Th&#250;, Bj&#243;nessk&#225;ga 78&#176; 34.3&#8217; N 012&#176; 24.4&#8217; E</title>
<p><bold>Paula S&#263;iuk</bold></p>
<fig>
<graphic xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="regeneration-20310_leroy-g8.jpg"/>
</fig>
<p>October 3, 2022, 8:53am, 3&#176; C, low cloud base, day length: 9:55:35</p>
<p>Anchored next to Dahlbreen glacier, ringed seal sighted, polar bear spotted</p>
<p>Sea haze obscures pinnacles, nearby glacier calving echoes thunderously off cliffs.</p>
<p><italic>Th&#250;, Bj&#243;nessk&#225;ga 78&#176; 34.3&#8217; N 012&#176; 24.4&#8217; E</italic>, Ultrachrome ink on polycarbonate, 2022.</p>
</sec>
<sec>
<title>Vesicle, Nordkappbukta 80&#176; 30.9&#8217; N 019&#176; 54.9&#8217; E</title>
<p><bold>Paula S&#263;iuk</bold></p>
<fig>
<graphic xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="regeneration-20310_leroy-g9.jpg"/>
</fig>
<p>October 5, 2022, 11:08am, 4&#176; C, sunny, clear, day length: 9:24:27</p>
<p>Morning landing, small bay, oldest rocks in the known world, 411 million years and older</p>
<p>7 islands of Sju&#248;yane viewable at sunrise, visible ice: frazil, grease, bubbles, frozen foam.</p>
<p><italic>Vesicle, Nordkappbukta 80&#176; 30.9&#8217; N 019&#176; 54.9&#8217; E</italic>, Ultrachrome ink on polycarbonate, 2022.</p>
</sec>
<sec>
<title>Bergy Seltzer</title>
<p><bold>Felicia LeRoy</bold></p>
<p>Tiny air bubbles formed at many atmospheres of pressure are compressed deep within glacier ice. As the glacier melts, these ancient air pockets are released. The air trapped being released from these specific glaciers dates from the end of the Late Pleistocene (12,000 yrs. before present) to the end of the Little Ice Age (c.1920 AD).</p>
<p></p>
<sec>
<fig>
<media
    
    mimetype="audio"
    
    position="anchor"
    specific-use="online"
    xlink:href="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/soundcloud%253Atracks%253A2293950740&amp;color=%2315120f&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true"
/>
</fig>
<p><ext-link ext-link-type="uri" xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="https://www.regeneration-journal.org/article/id/20310/file/197441/">Download Bergy Seltzer by Felicia LeRoy.</ext-link></p>
</sec>
<sec>
<p></p>
<fig>
<graphic xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="regeneration-20310_leroy-g10.jpg"/>
</fig>
<p>&#169;2023, Felicia LeRoy. All Rights Reserved</p>
<p>The author declares they have no competing interests.</p>
</sec>
<sec>
<title>A Thousand Words for Ice, Dahlbrebukta</title>
<p><bold>Osceola Refetoff</bold></p>
<fig>
<graphic xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="regeneration-20310_leroy-g11.jpg"/>
</fig>
<p><italic>A Thousand Words for Ice</italic>, Multispectral Exposure, Dahlbrebukta, 2022.</p>
</sec>
<sec>
<title>Moon Under Virgo Bay, Dansk&#248;ya</title>
<p><bold>Osceola Refetoff</bold></p>
<fig>
<graphic xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="regeneration-20310_leroy-g12.jpg"/>
</fig>
<p><italic>Moon Under Virgo Bay</italic>, Dansk&#248;ya, 2022.</p>
<p>NOTE: Multispectral exposures are made with photographic equipment that is sensitive to both visual and infrared spectrums, creating vivid and otherworldly color combinations in camera using various archaic filters in front of the lens.</p>
<p>The author declares they have no competing interests.</p>
</sec>
<sec>
<title>Dahlbreen Glacier</title>
<p><bold>Dianne Chisholm</bold></p>
<p><styled-content style="text-align: center; display: block">Now, light begins</styled-content></p>
<p><styled-content style="text-align: center; display: block">to frisk the glacier,</styled-content></p>
<p><styled-content style="text-align: center; display: block">touching the calving face and pawing it.</styled-content></p>
<p><styled-content style="text-align: center; display: block">Light asking what do you have in your pockets?</styled-content></p>
<p><styled-content style="text-align: center; display: block">Crevasses answering wordlessly, in navy blue.</styled-content></p>
<p><styled-content style="text-align: center; display: block">&#8211;Helen Mort</styled-content></p>
<sec>
<title>i</title>
<p>Dahlbreen is our first. Our glacier premiere. Act I: night-hooded headlands blaze ochre-russet-rust. Act II: <italic>the glacier</italic> glows white-hot incandescence. Act III: <italic>the glacier</italic> eclipses the sun.</p>
<p>We anchor in darkness, where Dahlbreen is on the rise. Dawn-drawn on deck we drink in the vision with morning coffee. Learn Norwegian &#8220;<italic>en bre</italic>&#8221; means <italic>a glacier</italic>, whereas &#8220;<italic>breen</italic>&#8221; is definite. Who is Dahl, we neglect to ask. <italic>The glacier</italic>, we marvel, is all that matters.</p>
<p>The glacier mouths a sea pitted with island moraines. Its tongue, forked and snaky, is pierced by <italic>nunataks</italic> and bitted by steep black ridges. Into the bay it debouches toothy pillars, riddled with cavities of deepening blue. Tongue is a toe is a snout with a face&#8211;that aspect of glacial anatomy we greet at sea level. Mouth is a pelvis that squats on the water, splays hips valley-wide, births icy cascades.</p>
</sec>
<sec>
<title>ii</title>
<p>From zodiacs, we land on tiny face-facing island. Disperse across the rocks with our various art-making media, colonize best prospects. I settle on photographing lapping, pooling, swamping shore with the glacier, hanging static, in the distance. Slow my exposure to capture, still-motion, the heart-stopping pulse of waves, wakes of calving.</p>
<p>A bearded seal swims by. Sees us seeing it. Eyeball to eyeball, I-Thou.</p>
<p>I last saw a bearded seal in Isortoq. Buried in ice beside a hunter&#8217;s house. Ripe for butchering all winter long. Flippers and entrails for the dogs; ribs, steaks, sweetmeats for us. Eyes long gone, swallowed fresh at kill site. No one but me sees this seal, and hungers.</p>
</sec>
<sec>
<title>iii</title>
<p>In zodiacs we tour the face. It surprises S, our driver, to find so much bedrock bared since her last visit. Close to the calving, we surf small tsunamis. S cuts the motor. Ears wide-open, we hear, all around, ice-age ice melt&#8211;</p>
<p><styled-content style="text-align: center; display: block">snap crackle pop</styled-content></p>
<p>no, not so, listen again&#8211;</p>
<p><styled-content style="text-align: center; display: block">shiisshh shintzell sshlopp</styled-content></p>
<p>hear <italic>the glacier drown</italic>.</p>
</sec>
<p></p>
<p><bold>Note</bold></p>
<p>Epigraph from <italic>The Singing Glacier</italic> by Helen Mort, London: Hercules Editions, 2018, p.14. Dahlbreen, after Norwegian whaler, wholesaler and benefactor, Thor D. (1862-1920). <italic>Nunataks</italic> are mountains protruding from glacier ice. Isortoq is a tiny settlement in southeast Greenland.</p>
<p>The author declares they have no competing interests.</p>
</sec>
<sec>
<title>Esmarkbreen Glacier</title>
<p><bold>Harley Cowan</bold></p>
<p>Esmarkbreen was one of the few glaciers we could walk up to. This spectacularly twisted ice form leaned perilously over but had so far refused to succumb to gravity.</p>
<p>To stand dwarfed at the foot of an ancient glacier is to experience those primordial beginnings of our world. Some glaciers are alive with grinding, crashing, even thundering noise and it can be difficult to tell exactly where the sound is coming from. Some calve dramatically into the sea. Esmarkbreen was quieter than others and invited us to come close, which made it all the more impressive.</p>
<p>We had several hours to work on the moraine on this particularly cold afternoon. Days were getting shorter by nearly twenty minutes per day and the moon was up all hours. As we worked, the sky dimmed, the moon got brighter, and cold air washed down on us from above.</p>
<fig>
<graphic xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="regeneration-20310_leroy-g13.jpg"/>
</fig>
<p><italic>Erikbreen Glacier</italic>, Silver gelatin print, 2022.</p>
<p>&#169;2022, Harley Cowan. All Rights Reserved.</p>
</sec>
<sec>
<title>Erikbreen Glacier</title>
<p><bold>Harley Cowan</bold></p>
<p>Over the ridge from our anchorage at Hornb&#230;kpollen was this view down to Erikbreen Glacier and its massive freshwater lake. Sediment colored the water dark and brown. Fresh snow from the evening before gave texture to the landscape.</p>
<p>It was a very windy day that more than once threatened to sweep my camera from the heights but I found some shelter in a nook in the rocks.</p>
<p>Glaciers make grinding, crashing, even thundering sounds and one never knows exactly where it is coming from. This glacier was actively making noise but only once did we see the falling ice that produced it.</p>
<fig>
<graphic xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="regeneration-20310_leroy-g14.jpg"/>
</fig>
<p><italic>Erikbreen Glacier</italic>, Silver gelatin print, 2022.</p>
<p>&#169;2022, Harley Cowan. All Rights Reserved.</p>
<p>The author declares they have no competing interests.</p>
</sec>
</body>
</article>
